THE CRINOLINE QUESTION
New York Times
THE CRINOLINE QUESTION
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Special Correspondence THE NEW YORK TIMES
Lady Duff Gordon ridicules the idea. "Really," said she, "one has to go to London to find out what the Paris fashion is. I have only left Paris two days, and when I was there, in the thick of all my designing, there was scarcely a breath of the crinoline about.
"There's only one man---I won't mention names, but he's a most original and popular designer---who is trying anything of the sort, and then it is not the crinoline, as we understand it, which he is aiming at. He has brought out a funnel-shaped affair, stiffened with whalebone, and not round. It terminates more than a foot from the ground, and underneath it is seen a tight skirt reaching over the ankles. But the whole thing is only an extravagance of his.
"You see, thin, dainty little women like Lily Elsie and Mistinguette are the popular figure, and they look ravishing in what are practically "tights"---as indeed they'd look ravishing in anything: But to see some of these big, fat women, with a skin-tight skirt (you can't call it 'skirts') reaching up to their shoulder blades, no sign of a waist, and the rest of their bodies squeezed up to where their chests ought to be, frilled collars up to their ears, and immense hats down to---well," and Lucile spread out her hands in speechless comment.
"The Parisienne is losing all her taste and style. Englishwomen nowadays look far better."
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(1911) THE CRINOLINE QUESTION New York Times (ref: #4956, accessed 21st November 2008 11:44:59 AM)
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Related Biographies:
Lucy Christiana, Lady Duff Gordon
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Mark Baber

