"Rose" looking at "Jack" in the final moments on the fantail and saying something to the effect of "This is where we met." Rose, who has been obnoxious through 99% of her scenes, bellowing "I'm through with being polite" to the lift operator. The electric lights which sometimes burn under water (as in the 'Body floating in the lounge"' shot) and sometimes don't (as in the long scene in which Jack and Rose are trapped behind the gate and the lights are shorting out and there is absolutely no suspense since, naturally, they can't die that early in the sinking sequence) or, of course, the "Jack chained to a pipe" interlude which, on top of generating no suspense at all, is one of the weirdest structuring choices in film history in that the whole faux jewel heist frame up plot twist (presumably introduced as a homage to 1912 film making) comes AFTER the collision and not before. Molly Brown travelling with a set of men's formal wear which fits Jack perfectly is also a groan inducing oddity. Rose's smarmy Freud reference. The odd blue pall which surrounds the characters during the sinking sequences-perhaps in homage to the cheap use of ChromaKey in films of lesser budget. Jack saying something to the effect of "Take a deep breath" as they are about to be sucked under which, since neither character has shut up since scene one, is patently impossible. Jack quoting Lightoller ("Feels like a thousand knives") during Rose's ever-so-suspenseful suicide attempt. Jack's two "artist" scenes and his masterpieces which, sadly, were never to be executed on the black velvet where they rightfully belonged. The gambling scene in which Jack wins the tickets meant to highlight that he is, of course, a leading man in the old movie man's man style which instead underlines the fact that he isn't. The 'rabid dog' style of acting, lacking only drool, Lightoller displays during his sequences. Hard to choose a 'worst.'
