Lusitaniamovie

Diana Preston has confimed that offers have been made for film rights to her recent book. There would seem to be a good possibility of Lusitania reaching the screen -in wake of Cameron's success, there is apparently a market which is all the filmakers need to know. I hope a British production company gets the project.
 
I certainly hope REAL experts will be called in to assist in the project as happened with Cameron's Titanic. If Geoff, Brian, Eric and others like them aren't enlisted, it's bound to be a disappointment.
 
Really Shelley? On the one hand it would be good to see a movie made, but as Barbara McDermott pointed out to Mike Poirier when the book came out, it is mostly a rehash of the same old stories about the same group of survivors and victims, so it would probably make for a better movie if they dug a little deeper and worked with the lesser known but actually more interesting accounts. Zack Schwarz has come up with some great stuff from survivor families which makes Diana Preston's stuff seem even more stale, and of course you saw Mike's collection over the weekend,(and I still regret not being able to join you and Mike and Mike Findlay- next time) all of which would make for a far better viewing experience than the predictable "Vanderbilt/Frohman/Jolivet and throw in a family from third class for pathos" structure you KNOW will emerge. I, too, hope that a British firm will get the contract, and that script writers who have actually read a book (or seen a movie produced before 1985) are enlisted to write the thing to spare us another visually near-perfect piece of garbage. Like that will happen.
 
Glad to hear that others feel the Preston book is not the definitive account it has been boomed as. James makes a good point that the old-hat celeb stories need to be supplemented with those that never made the press.

It has fallen to a narrow band of diligent and inspired researchers, those I mentioned and of course Mike Poirier, to ferret out these amazing tales. As I understand it, none of these authorities, were consulted for her book. Is this right? If so, I hope the oversight is corrected should a movie be planned. I look forward to the end-all-be-all Lusitania book - and film.
 
What a really good question this thread poses.

I'm truly amazed that (to my knowledge) a movie has never been produced on the Lusitania, anybody any ideas why this might be so?

Should it come to pass..., whilst I agree totally with James' concept of a British production, how about giving Wolfgang Petersen a shot at directing...?

Regards,

John M
 
John,

My guess as to why a movie about Lusitania has not been made yet is because while it is an interesting story, it has not held the public's fascination like the Titanic has. While the story of Lusitania is fascinating, it does not have the maiden voyage / not enough lifeboats aspects that make the Titanic seem so amazing.


Cheers,
happy.gif


-B.W.
 
I hope they don't make a Lusitania movie. It would be stupid. Oh, here is a movie about a ship that was hit by a torpedo, and 18 minutes later it sinks!!! Yeah, that would be a great movie! Just the thought of it makes me laugh!!! Ha!!!
 
Sorry Jeremy but I really must disagree with you there.[and welcome to the board
happy.gif
] Sure the Lusi did go under in 18 minutes but there is plenty of information in the events of her last voyage and the week she spent in New York for a really good film. I am confident that a good director could do justice to the story [with a good budget] and not make an overblowen Hollywood mess like Bruckheimer's Pearl Harbor.

I would quite happily supply a script.

Martin
 
The film would not be all the sinking. And they would make the sinking longer. Take the film Hindenburg. It took only 37 seconds to collapse on the ground and completely burst into flame. The film took over five minutes. You can take dramatic license! Look at Tianic. Most of the movie is pre-disaster. And this, and what Martin said, would probably explain what the movie would be like.
 
I should like to see both sides of the story told. One of the best examples of "war from the other side" was The Boat (Das Boot) from 1982 (English version). I want to understand Schwieger, all the moments leading up to his decision to fire from the day he leaves port. The technique of cutting back in forth between the progress of the two components in the disaster- ship and submarine- is a compelling in-the-moment suspenseful technique. I would want to see pre-sailing, families getting ready for the voyage, a touch of glamour in the theatrical sector of the passenger list, the political unrest, the growing fear in America about the sailing and that notice posted from the embassy. I see the torpedo's impact and actual sinking near the very end- all that leads up to that is riveting and in the hands of the right screenwriter and director could keep you on the edge of your seat- real fact is always much more gripping than anything dreamed up. Of course the sets and costumes, ship interiors must be as good as Cameron's- he has set the standard by which all would be judged. It will cost a good deal to pull off. My choice for actors would be unknowns I think. Superstars always seem to either chew up the scenery, fill up the screen and distract from the story- or seldom seem to fit the persona of the real-life counterpart. I very much liked the technique of using the Old Rose flashbacks in Titanic. Since every story could not be possibly told in 2 or three hours of film, the necessity arises of focusing on certain storylines . A cross section of all classes will have to be reflected. I should hate to be in charge of choosing who to put in the limelight. Officers and crew must not be forgotten- and Turner's story is ripe for exploration as well as the heroic rescue operation. The effect and aftermath cannot be left out either. What a daunting job this will be it get it all right.
 
Shelley,

In absolute agreement! Ever see "The Enemy Below"?

Turner's life on the Lusi, juxtaposed with Schwieger's situation in the U-Boat...chalk and cheese? Yes, you nailed it. Would make a super film.

After all - we never get the iceberg's view of the Titanic disaster, do we!

Who's in for co-scripting and making lottsa money, right now?

Regards,

John M
 
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