Fiona Nitschke
Member
I was sure there was previous discussion of this work, but it must've been somewhere else - so here goes. Having just got a working CD player again I discovered some of my old CDs had 'de-laminated' (possibly from boredom at not being used in several years) and had to replace The Sinking of the Titanic by Gavin Bryars. (Gavin Bryars)
Gavin Bryars is probably best known for Jesus' Blood Never Failed Me Yet, and that work was the reason I saw Gavin Bryars and his ensemble at the Melbourne Festival in the 1990s. I enjoyed the program for concert #1 so much that I booked into concert #2 on the spot - and that was the first time I heard The Sinking of the Titanic. Magic stuff. So beautiful, so haunting.
The CD I have now is from a July 1994 recording. I was going to type up some of the notes, but Gavin's site thoughtfully provides background on the work: http://www.gavinbryars.com/Pages/titanic_point.html There's also notes from a performance at Xebec Hall, Kobe, in 1993: http://www.gavinbryars.com/Pages/titanic_xebec.html
Some of the inspiration is from historical information of a now dubious or mythological nature, but that doesn't detract in any way from the experience of hearing the work itself. To me, the complex array of influences informing and changing the work from its premiere in 1969 through to the 1990s, is what makes it my favourite sound / music representation of Titanic.
I'm really enjoying rediscovering this work and was wondering what others thought of it?
Gavin Bryars is probably best known for Jesus' Blood Never Failed Me Yet, and that work was the reason I saw Gavin Bryars and his ensemble at the Melbourne Festival in the 1990s. I enjoyed the program for concert #1 so much that I booked into concert #2 on the spot - and that was the first time I heard The Sinking of the Titanic. Magic stuff. So beautiful, so haunting.
The CD I have now is from a July 1994 recording. I was going to type up some of the notes, but Gavin's site thoughtfully provides background on the work: http://www.gavinbryars.com/Pages/titanic_point.html There's also notes from a performance at Xebec Hall, Kobe, in 1993: http://www.gavinbryars.com/Pages/titanic_xebec.html
Some of the inspiration is from historical information of a now dubious or mythological nature, but that doesn't detract in any way from the experience of hearing the work itself. To me, the complex array of influences informing and changing the work from its premiere in 1969 through to the 1990s, is what makes it my favourite sound / music representation of Titanic.
I'm really enjoying rediscovering this work and was wondering what others thought of it?